War and the Photographic Vision in Amitav Ghosh’s The Shadow Lines
This article engages with representations of the Second World War and the 1962 Indo-China War in Amitav Ghosh’s The Shadow Lines. More specifically it examines how the centrality of the Second World War is sought to be “provincialised” and upturned by the presence of the Indo-China War and 1964 Calc...
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| Médium: | Artigo |
| Jazyk: | Inglês |
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Presses universitaires de Rennes
2025
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| On-line přístup: | https://doi.org/10.4000/13ylt https://hdl.handle.net/20.500.13089/13ylt https://journals.openedition.org/lisa/17029 |
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