War and the Photographic Vision in Amitav Ghosh’s The Shadow Lines

This article engages with representations of the Second World War and the 1962 Indo-China War in Amitav Ghosh’s The Shadow Lines. More specifically it examines how the centrality of the Second World War is sought to be “provincialised” and upturned by the presence of the Indo-China War and 1964 Calc...

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Detalles Bibliográficos

Autor Principal:	Swatie
Formato:	Artigo
Idioma:	Inglês
Publicado:	Presses universitaires de Rennes 2025
Assuntos:	photographie Guerre (Seconde Guerre mondiale) Ghosh Amitav Guerre (Guerre sino-indienne 1962) photography War (Second World War) War (Indo-China War 1962)
Acceso en liña:	https://doi.org/10.4000/13ylt https://hdl.handle.net/20.500.13089/13ylt https://journals.openedition.org/lisa/17029
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