Door-(not)knocking scenes in Plato
Door-knocking scenes are familiar in the world of ancient Greek theatre. Plato appropriates this motif in three occasions, twice in the Protagoras (310b1, 314c-e) and once in the Symposium (212c). At the same time, he elaborates on the motif by invoking it through its absence: there is no need to kn...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Université de Lausanne
2024
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| Acesso em linha: | https://doi.org/10.4000/12frc https://hdl.handle.net/20.500.13089/12frc https://journals.openedition.org/edl/7677 |
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