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Door-(not)knocking scenes in Plato

Door-knocking scenes are familiar in the world of ancient Greek theatre. Plato appropriates this motif in three occasions, twice in the Protagoras (310b1, 314c-e) and once in the Symposium (212c). At the same time, he elaborates on the motif by invoking it through its absence: there is no need to kn...

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Autor principal: Charalabopoulos, Nikos G.
Format: Artigo
Idioma:Inglês
Publicat: Université de Lausanne 2024
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Accés en línia:https://doi.org/10.4000/12frc
https://hdl.handle.net/20.500.13089/12frc
https://journals.openedition.org/edl/7677
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