Tres comedias de poder de Luis Vélez de Guevara para el duque de Lerma
For nearly fifty years critics and historians have explored the relationships that existed between the royal and aristocratic classes and the arts as instruments of power. The present study proposes to extend this line of enquiry by showing how the performances of El alba y el sol (1613), El Conde d...
Furkejuvvon:
| Publikašuvnnas: | Arte Nuevo |
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| Váldodahkki: | |
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Université de Neuchâtel
2020
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| Fáttát: | |
| Liŋkkat: | https://www.redalyc.org/articulo.oa?id=672473169004 https://www.redalyc.org/journal/6724/672473169004/ https://www.redalyc.org/journal/6724/672473169004/html/ https://www.redalyc.org/journal/6724/672473169004/672473169004.epub https://www.redalyc.org/journal/6724/672473169004/movil https://doi.org/10.14603/7D2020 |
| Fáddágilkorat: |
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