FROM TRANSCENDENTAL TO PRACTICAL INTERSUBJECTIVITY: A SOCIAL PSYCHOLOGICAL APPROACH TO KANT’S MUSICAL AESTHETICS
It is well known that Kant’s aesthetics is framed intersubjectively because he upholds the claim of taste to universality. However, the transcendental foundation of this shared universality is a supersensible ground which is taken for granted but which cannot be brought directly into communicative e...
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| Veröffentlicht in: | Trans/Form/Ação |
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| Format: | Artigo |
| Sprache: | Inglês |
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Universidade Estadual Paulista Júlio de Mesquita Filho
2010
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| Online-Zugang: | https://www.redalyc.org/articulo.oa?id=384273609007 |
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