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“How I became what I am” an aesthetics of twist cinema in films from the 1960s and 1970s

The article analyzes the political and theoretical potential of cinematographic language to express and rebuild the relationship between sexual and gender differences. As cultural products, the three films analyzed - A Casa Assassinada (1972), Sunday , bloody Sunday (1971) and Les Am...

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Gorde:
Xehetasun bibliografikoak
Argitaratua izan da:Revista Estudos Feministas
Egile nagusia: Karla Adriana Martins Bessa
Formatua: Artigo
Hizkuntza:Inglês
Argitaratua: Universidade Federal de Santa Catarina 2017
Gaiak:
Sarrera elektronikoa:https://www.redalyc.org/articulo.oa?id=38149070015
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