Rupert Goold’s Macbeth (2010): Surveillance society and society of control
This article deals with Rupert Goold’s film version of Macbeth (2010). Based on a stage production, this film is set in an unspecified Soviet country. I will analyze Goold’s creation of a stage- to-screen hybrid recording framed as a surveillance film. Relying on Michel Foucaul...
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| Publicado no: | SEDERI Yearbook |
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| Autor principal: | |
| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Spanish and Portuguese Society for English Renaissance Studies
2017
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| Assuntos: | |
| Acesso em linha: | https://www.redalyc.org/articulo.oa?id=333553631004 |
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