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Dividuated selves: on Renaissance criticism, critical finitude and the experience of ethical subjectivity
This paper situates the work of Renaissance criticism as a type of belated work of mourning or memorial aesthetics. In particular I want to focus on the emergence of a supposedly “modern” form of subjectivity during the theorisation of Renaissance criticism in the eighties -its distinctiveness as we...
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| Publicado no: | SEDERI Yearbook |
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| Autor principal: | |
| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Spanish and Portuguese Society for English Renaissance Studies
2009
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| Assuntos: | |
| Acesso em linha: | https://www.redalyc.org/articulo.oa?id=333527606003 |
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