Dividuated selves: on Renaissance criticism, critical finitude and the experience of ethical subjectivity
This paper situates the work of Renaissance criticism as a type of belated work of mourning or memorial aesthetics. In particular I want to focus on the emergence of a supposedly “modern” form of subjectivity during the theorisation of Renaissance criticism in the eighties -its distinctiveness as we...
Sparad:
| I publikationen: | SEDERI Yearbook |
|---|---|
| Huvudupphov: | |
| Materialtyp: | Artigo |
| Språk: | Inglês |
| Utgiven: |
Spanish and Portuguese Society for English Renaissance Studies
2009
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| Ämnen: | |
| Länkar: | https://www.redalyc.org/articulo.oa?id=333527606003 |
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