Country wives and country girls in eighteenth-century England. A history of theatrical rewriting
This paper covers a span of fifty years in the reception of Wycherley’s masterpiece, his Country Wife. This play has been chosen for study because its linguistic and thematic features made it scarcely elligible as a stage piece for the increasingly prudish and good-hearted audiences that attended th...
I tiakina i:
| I whakaputaina i: | SEDERI Yearbook |
|---|---|
| Kaituhi matua: | |
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Spanish and Portuguese Society for English Renaissance Studies
2006
|
| Ngā marau: | |
| Urunga tuihono: | https://www.redalyc.org/articulo.oa?id=333527602005 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|