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Polyphony of midnight's children: dispersion of voices and genres in Midnight's Children

This paper explores the aspect of polyphony in Salman Rushdie’s novel Midnight’s Children (1981). The essence of polyphony in a novel, following Mikhail Bakhtin, is the presence or use of different indepe ndent voices that are not merged into one dominant voice. The author, the protagonist, the narr...

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Опубликовано в::Acta Scientiarum. Language and Culture
Главный автор: Uma Viswanathan
Формат: Artigo
Язык:Inglês
Опубликовано: Universidade Estadual de Maringá 2010
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Online-ссылка:https://www.redalyc.org/articulo.oa?id=307426643002
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