A mulher no cinema brasileiro e a tentativa de afastamento da heteronormatividade
The goal of this essay is to show that the three films Dona Flor e seus dois maridos (1976), Luzia-homem (1984) and Romance da empregada (1988), while they disrupt heteronormativity, are still heavily freighted vehicles of sexual and gender ideologies. In the first case, Florípedes is a widow who ma...
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| Wydane w: | Diálogos Latinoamericanos |
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| 1. autor: | |
| Format: | Artigo |
| Język: | Português |
| Wydane: |
Aarhus Universitet
2009
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| Hasła przedmiotowe: | |
| Dostęp online: | https://www.redalyc.org/articulo.oa?id=16220868007 |
| Etykiety: |
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