Cinema Potencial: repetição, absurdo e tempo suspenso em Eterno Retorno, de Kira Murátova
Kira Muratova's film Eternal Return (2012) presents itself as a laboratory of variations built on a strict constraint: repeating the same scene in different ways. This procedure brings the film closer to Raymond Queneau's Exercises in Style and Oulipian practices, in which restriction does not limit...
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| Asıl Yazarlar: | , |
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| Materyal Türü: | Online |
| Dil: | Português |
| Baskı/Yayın Bilgisi: |
SLOVO - Slavic Studies Journal
2026
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| Online Erişim: | https://revistas.ufrj.br/index.php/slovo/article/view/71951 |
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