Villa-Lobos, national identity and history in Cinema Novo: an analysis based on Black God, White Devil
We consider as a starting point the film Black God, White Devil (Glauber Rocha, 1964) to analyze the use of Villa-Lobos’ works in it and in three other films of the Brazilian Cinema Novo: The Dare (Paulo César Saraceni, 1965), Entranced Earth (Glauber Rocha, 1967) and The Heirs (Carlos Diegues, 1968...
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| Format: | Online |
| Language: | Português |
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Programa de Pós-Graduação em Música da UFRJ
2020
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| Online Access: | https://revistas.ufrj.br/index.php/rbm/article/view/36078 |
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