“Ad dissonantiam per consonantiam”: the scope and limits of Darius Milhaud´s system of “Polytonalité harmonique”: the esthesic level (Part 2)
The first part of this study, published in a previous issue of this journal, discussed the Polytonalité Harmonique system, proposed by Darius Milhaud in 1923, from the perspective of the Molino & Nattiez’s tripartitional categories of the “immanent” and “poietical” levels. In continuation, this...
I tiakina i:
| Kaituhi matua: | |
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| Hōputu: | Online |
| Reo: | Inglês |
| I whakaputaina: |
Programa de Pós-Graduação em Música da UFRJ
2016
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| Urunga tuihono: | https://revistas.ufrj.br/index.php/rbm/article/view/29170 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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