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Types, Styles, and Spaces of Possibility : Phenomenology and Musical Improvisation
I outline an approach to the phenomenology of improvised music which takes typification and the development of multi‐ordered phenomenological structures as central. My approach here is firmly in line with classical Husserlian phenomenology, taking the discussion of types in Experience and Judgment (...
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| Format: | Artigo |
| Langue: | Alemão |
| Publié: |
Sciendo
2020-12-01
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| Collection: | Gestalt Theory |
| Sujets: | |
| Accès en ligne: | https://doi.org/10.2478/gth-2020-0022 |
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