A Cracked Construction: Postmodernist Fragmentation and Fusion in McEwan’s Atonement
Just as the ground beneath Briony’s feet is distinguished by ‘floorboard cracks’ (11), just as the Tallis’s Meissen porcelain vase displays ‘three fine meandering lines in the glaze’ (43), just as the historical context of the fatal day of Briony’s crime is marked by ‘earthquakes’ (59), that is, geo...
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| Главный автор: | |
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| Формат: | Artigo |
| Язык: | Inglês |
| Опубликовано: |
Presses Universitaires de la Méditerranée
2018-12-01
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| Серии: | Études Britanniques Contemporaines |
| Предметы: | |
| Online-ссылка: | https://journals.openedition.org/ebc/5273 |
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