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3. The Oblique Parallel Perspective of Asian Art

This paper examines the use of oblique parallel perspective as a method of structuring pictorial space in Far Eastern art. Unlike the conical perspective of the Renaissance, this type of perspective is not grounded on a scientific foundation; and yet, it follows a series of well-defined principles t...

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Dades bibliogràfiques
Autor principal: Sofron Daniel
Format: Artigo
Idioma:Inglês
Publicat: George Enescu University of Arts 2023-03-01
Col·lecció:Review of Artistic Education
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Accés en línia:https://doi.org/10.2478/rae-2023-0023
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