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Les « estampes habillées » : acteurs, pratiques et publics en France aux xviie et xviiie siècles

Hard to date and inaccurately identified, “dressed prints” are a complex and little-studied phenomenon. Produced both as individual acts of appropriation and by groups and institutions seeking to transform images printed on paper by the thousands into magnificent decorative objects, they were in som...

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Autors principals: Pascale Cugy, Georgina Letourmy-Bordier, Vanessa Selbach
Format: Artigo
Idioma:Francês
Publicat: Institut national d'histoire de l'art 2016-06-01
Col·lecció:Perspective
Matèries:
Accés en línia:https://journals.openedition.org/perspective/6320
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