On ne naît pas sculptrice, on le devient. Apprendre à sculpter à Paris vers 1900
This article looks, through the lens of gender, at the historiography of studying sculpture in the late 19th century. It is an area long underestimated in studies of women artists, usually confined to painters, as well as in the history of the medium, wherein Camille Claudel serves as an apparent ex...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Francês |
| Publicado em: |
Institut national d'histoire de l'art
2026-06-01
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| Colecção: | Perspective |
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| Acesso em linha: | https://journals.openedition.org/perspective/32425 |
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