Les images animées au Musée de l'Homme ou la rencontre de deux mondes (1930-1950)
From the origin of cinematograph, many where those who went out of Europe to film otherness. The footage they brought back, whether shown to large audiences in colonial exhibitions or restricted to learned societies, was hardly considered by the scientific community as a valid means of conveying int...
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| Formato: | Artigo |
| Idioma: | Alemão |
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Conserveries Mémorielles
2014-09-01
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| coleção: | Conserveries Mémorielles |
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| Acesso em linha: | https://journals.openedition.org/cm/1980 |
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