'Understanding Bernarda': Veronica Coburn's unpublished version of La Casa de Bernarda Alba
The analysis focuses on Coburn’s most significant innovation: the application of red nose theatre – or clowning – to the Spanish tragedy. This performative strategy creates a critical distance that allows for a radical reimagining of the source material. Unlike the original play, which presents Bern...
Αποθηκεύτηκε σε:
| Κύριος συγγραφέας: | |
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| Μορφή: | Artigo |
| Γλώσσα: | Inglês |
| Έκδοση: |
European Federation of Associations and Centres of Irish Studies
2026-02-01
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| Σειρά: | Review of Irish Studies in Europe |
| Θέματα: | |
| Διαθέσιμο Online: | https://risejournal.eu/index.php/rise/article/view/3415 |
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