Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book
Peter Greenaway’s The Pillow Book (1996) demonstrates the director’s recurring interest in images of dismemberment. These images represent an uncanny and grotesque literalisation of key metaphors. The climactic image of a book made from the flayed skin of a central character is a literalisation of t...
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| Hovedforfatter: | |
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| Format: | Artigo |
| Sprog: | Inglês |
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Open Library of Humanities
2020-12-01
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| Serier: | Open Screens |
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| Online adgang: | https://www.openscreensjournal.com/article/id/6932/ |
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