Scratching the Surface: On and In Self Portrait (1895)
This article examines the surface of Edvard Munch’s Self Portrait (1895), one of the artist’s most emblematic images, proposing ways of thinking about the lines scratched into the blackness surrounding the artist’s head. Assuming that the surface is a place of negotiation among t...
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Norueguês |
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Scandinavian University Press
2017-01-01
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| Reeks: | Kunst og Kultur |
| Onderwerpen: | |
| Online toegang: | https://www.idunn.no/kk/2017/01-02/scratching-the-surface |
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