Censorship or the Limits of Representation in Terrence McNally’s Gay Theatre at the End of the 20th Century
This paper explores the controversy around two contemporary American plays by acclaimed playwright Terrence McNally, Lips Together, Teeth Apart (1991) and Corpus Christi (1998). By detailing the ways these two plays were attacked by politicians and conservative religious groups, it becomes apparent...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Presses universitaires de Rennes
2013-11-01
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| Serie: | Revue LISA |
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| Accesso online: | https://journals.openedition.org/lisa/5533 |
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