From Beethoven to Schoenberg: The Micro-Myths of Viennese Classicism and Viennese Modernism in Thomas Mann’s ‘Doktor Faustus’
A misreading of Thomas Mann’s Doktor Faustus as a simple allegory lies at the heart of the controversy surrounding Mann’s use of Arnold Schoenberg’s music as a demonically inspired fascist aesthetic. If we look upon Schoenberg’s music as a micro-myth, intersecting and interacting with a counterpart...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Artigo |
| اللغة: | Alemão |
| منشور في: |
Milano University Press
2025-10-01
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| سلاسل: | Studia theodisca |
| الوصول للمادة أونلاين: | https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/29978 |
| الوسوم: |
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