‘An Interrupter, a Collective’: Sean Bonney’s Lyric Outrage
This article analyses the way that politically engaged lyric negotiates two opposing impulses—the expression of individual outrage, and a desire for collective praxis—through a reading of the contemporary British poet Sean Bonney’s ‘translations’ of Baudelaire and Rimbaud. First I situate Bonney wit...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Presses Universitaires de la Méditerranée
2013-10-01
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| Rangatū: | Études Britanniques Contemporaines |
| Ngā marau: | |
| Urunga tuihono: | https://journals.openedition.org/ebc/746 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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