KASTRATEN, DIE PRIMI UOMINI DER EUROPÄISCHEN OPERNBÜHNEN
Castratos, as the primo uomo-s of the baroque operatic Stages. This paper presents the importance of the castrato-phenomenon in the history of the European music. From the humiliation and punishment of the defeated, castration became first in the Byzantine culture (from the 5th century) and long af...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Babeș-Bolyai University
2017-06-01
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| Saila: | Studia Universitatis Babeş-Bolyai. Musica |
| Gaiak: | |
| Sarrera elektronikoa: | http://193.231.18.162/index.php/subbmusica/article/view/2367 |
| Etiketak: |
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