Lucas Galon’s Concerto for Violin, Percussion and Strings (2018)
In this paper, I investigate how the composer searches for his own voice in his violin concerto while using a blend of influences such as Bartok, twelve-tone and Brazilian popular music. Galon argues that composers such as Bartok, Stravinsky and Villa-Lobos followed an independent, more varied comp...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Universidade de São Paulo
2019-08-01
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| Saila: | Revista da Tulha |
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| Sarrera elektronikoa: | https://www.revistas.usp.br/revistadatulha/article/view/156842 |
| Etiketak: |
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