L’art et le peuple hors du temps : une histoire ethnographique de l’art durant les années 1930
This study addresses the use of anachronistic comparisons of artworks during the 1930s as a means of reinforcing national identity. Several art historians who were curators at the Louvre’s painting department – in particular René Huyghe, Germain Bazin and Charles Sterling – used these dialogues to p...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Francês |
| Publicado em: |
Institut national d'histoire de l'art
2025-11-01
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| coleção: | Perspective |
| Assuntos: | |
| Acesso em linha: | https://journals.openedition.org/perspective/31986 |
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