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Over 20 years has passed since Marvin Carlson defined the concept of ghosting in the seminal book The Haunted Stage. Carlson suggests that the theatre is obsessed with ghosts, both in many of the actual stories it tells, but also in the ways stories, people, spaces and production modes are constant...

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Hlavní autor: Lars Harald Maagerø
Médium: Artigo
Jazyk:Dinamarquês
Vydáno: Bergen Open Access Publishing 2025-12-01
Edice:Teatervitenskapelige Studier
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On-line přístup:https://boap.uib.no/index.php/tvs/article/view/4665
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