Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques
Because of its importance in terms of people affected or groups programmed, Hellfest, a festival of "extreme music" since 2006, has, by its magnitude, made visible heavy metal music in France, its amateurs and the cultural behaviors associated with metal scenes. Loved and invested by a minority of t...
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| 格式: | Artigo |
| 語言: | Inglês |
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Criminocorpus
2019-09-01
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| 叢編: | Criminocorpus |
| 主題: | |
| 在線閱讀: | https://journals.openedition.org/criminocorpus/6393 |
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