Obraz a ciało, obraz ciała — konsternacja: cielesność kina Yoshishige Yoshidy a filozofia Gilles’a Deleuze’a
This article explores the convergence of Yoshishige (Kijū) Yoshida’s cinema and Gilles Deleuze’s philosophy, delving into their respective bodies of work and their implications for the understanding of corporeality in Japanese cinema, particularly within the context of the Japanese New Wave—Yoshida...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Wydawnictwo Uniwersytetu Wrocławskiego
2025-04-01
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| Serie: | Studia Filmoznawcze |
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| Accesso online: | https://wuwr.pl/sf/article/view/17984 |
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