A bodily grammar configuration. The visible, the invisible, and the non-visible as the foundation of images and bodies in motion
The birth of cinematography as a device that acts on bodies allows us to think of informative documentary cinema as a resource to understand what is considered right to show and interpret the senses of reality that we intend to project through this show. With the mass production of celluloid-based f...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Firenze University Press
2022-11-01
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| Col·lecció: | Rivista di Storia dell'Educazione |
| Matèries: | |
| Accés en línia: | https://rivistadistoriadelleducazione.it/index.php/rse/article/view/12800 |
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