Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg –...
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| フォーマット: | Artigo |
| 言語: | Inglês |
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Mimesis Edizioni
2012-05-01
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| シリーズ: | Aisthesis |
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| オンライン･アクセス: | https://oajournals.fupress.net/index.php/aisthesis/article/view/522 |
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