The body, cast(out) of utopia. A commentary on The Automaton, by Xavier Abril
Xavier Abril’s avant-garde nouvelle, The Automaton (1931), exhibits a distancing from the Peruvian indigenous narrative. In this regard, based on analysis of its most groundbreaking techniques, such as montage and fragmentation, or even through a review of paratexts prior to publication, one notices...
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| Formato: | Artigo |
| Idioma: | Espanhol |
| Publicado em: |
Universidad Nacional de La Pampa
2018-01-01
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| coleção: | Anclajes |
| Assuntos: | |
| Acesso em linha: | https://cerac.unlpam.edu.ar/index.php/anclajes/article/view/1305/2166 |
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