El monstruo colonizador y el monstruo liberado en la obra de Glauber Rocha y del Grupo Cine Liberación
The Latin American film projects of cultural decolonization in the 1960s and 1970s used to dialogue with the vernacular traditions while were beginning aesthetic changes in the national cinemas. The movies and the theoretical manifests of this period have been characterized by the refusal of the uni...
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| Natura: | Artigo |
| Lingua: | Espanhol |
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Université Rennes 2
2014-12-01
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| Serie: | Amerika |
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| Accesso online: | https://journals.openedition.org/amerika/5473 |
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