Sensibility, Virginity, Possession and the Polity of Power: A Postcolonial Reading of Fleda’s Quest of Aesthetic and Ethical Autonomy in The Spoils of Poynton
I argue that Fleda Vetch’s more and more assuredly disinterested appreciation of beauty endows her with an aesthetic-ethical freedom lacking in Mona and Mrs. Brigstock and Owen and Mrs. Gereth, all prisoners of their own self-interest, from which Fleda manages finally to wrest only Owen. Immanuel Ka...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artigo |
| Lenguaje: | Inglês |
| Publicado: |
Taylor & Francis Group
2022-12-01
|
| Colección: | Cogent Arts & Humanities |
| Materias: | |
| Acceso en línea: | http://dx.doi.org/10.1080/23311983.2022.2034282 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|