Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg –...
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| Главный автор: | |
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| Формат: | Artigo |
| Язык: | Inglês |
| Опубликовано: |
Mimesis Edizioni
2012-05-01
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| Серии: | Aisthesis |
| Предметы: | |
| Online-ссылка: | http://www.fupress.net/index.php/aisthesis/article/view/11013 |
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