The Dialectics of Crisis: The Romanticised Apocalypse in J.G. Ballard’s The Drowned World and Lars von Trier’s
The theme of the apocalyptic is often portrayed through films and literature in a pessimistic manner. The crisis of the end of the world, unsurprisingly, is culturally and societally deemed as the ultimate manifestation of catastrophe. Science fiction and experimental films have often reflected thi...
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Universidade Católica Portuguesa
2013-09-01
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| シリーズ: | Diffractions |
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| オンライン･アクセス: | https://revistas.ucp.pt/index.php/diffractions/article/view/940 |
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