CARACTERIZACIÓN DE CLITEMNESTRA Y GAMENÓN DE ESQUILO A SÉNECA
The author tries to prove that the musical terminology in Euripides' drama and the introduction in it of some new terms shows the changes of meaning in the most ancient terms. This analysis strenghtens Euripides' image as a musician advocate of the changes that took place in the music of his time.
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Alemão |
| Publicado em: |
Editum, Ediciones de la Universidad de Murcia
2003-12-01
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| coleção: | Myrtia |
| Acesso em linha: | https://revistas.um.es/myrtia/article/view/36791 |
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