The Proliferation of Representation in Antonin Artaud's Theatre of Cruelty and Sergei Parajanov's The Colour of Pomegranates
This article argues that Antonin Artaud's theory of the theatre of cruelty, elaborated in The Theatre and Its Double, and the procedures of Sergei Parajanov's The Colour of Pomegranates (1969) bear a crucial affinity. Both offer many enigmatic emblems described as hieroglyphic and involving ritualiz...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Edinburgh University Press
2025-10-01
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| Serie: | Film-Philosophy |
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| Accesso online: | https://www.euppublishing.com/doi/10.3366/film.2025.0325 |
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