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Comment les documentaires de création montrent-ils les groupes professionnels ? L’exemple des ouvrier·ère·s d’abattoirs

This article is situated in the crossing of two current reflections : the one concerns the documentaries and the singularity of their point of view, compared with the social sciences ; other one aims at analyzing the possibility to film the contemporary work and thus the methodologies allowing to ma...

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Dettagli Bibliografici
Autore principale: Jean-Paul Géhin
Natura: Artigo
Lingua:Francês
Pubblicazione: Université de Poitiers 2018-02-01
Serie:Images du Travail, Travail des Images
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Accesso online:https://journals.openedition.org/itti/835
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