Comment les documentaires de création montrent-ils les groupes professionnels ? L’exemple des ouvrier·ère·s d’abattoirs
This article is situated in the crossing of two current reflections : the one concerns the documentaries and the singularity of their point of view, compared with the social sciences ; other one aims at analyzing the possibility to film the contemporary work and thus the methodologies allowing to ma...
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| Autore principale: | |
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| Natura: | Artigo |
| Lingua: | Francês |
| Pubblicazione: |
Université de Poitiers
2018-02-01
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| Serie: | Images du Travail, Travail des Images |
| Soggetti: | |
| Accesso online: | https://journals.openedition.org/itti/835 |
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