Les « Maîtres » anonymes : des noms provisoires faits pour durer ?
The notion of Masters with provisional names (referred to by their «traditional» names, borrowed titles or names of convenience) was first adopted by historians of painting in the nineteenth century. More precise than the use of the term «artist unknown» or «school of», provisional names avoided an...
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| Format: | Artigo |
| Sprache: | Francês |
| Veröffentlicht: |
Institut national d'histoire de l'art
2007-03-01
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| Schriftenreihe: | Perspective |
| Schlagworte: | |
| Online-Zugang: | https://journals.openedition.org/perspective/3750 |
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