Image Pragmatics and Film as a Lived Practice in the Documentary Work of Hani Susumu and Tsuchimoto Noriaki

This paper focuses on two discrete bodies of work, Hani Susumu’s films of the late 1950s and Tsuchimoto Noriaki’s Minamata documentaries of the early 1970s, to trace the emergence of the cinéma vérité mode of participant-observer, small-crew documentary in Japan and to sug...

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書誌詳細

第一著者:	Justin Jesty
フォーマット:	Artigo
言語:	Inglês
出版事項:	MDPI AG 2019-03-01
シリーズ:	Arts
主題:	documentary film film theory documentary film theory postwar Japan post-1945 Japan Hani Susumu Tsuchimoto Noriaki cinéma verité direct cinema observational documentary
オンライン･アクセス:	https://www.mdpi.com/2076-0752/8/2/41
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