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Women And Visual Representations Of Space In Two Chinese Film Adaptations Of Hamlet

This paper studies two Chinese film adaptations of Shakespeare’s Hamlet, Xiaogang Feng’s The Banquet (2006) and Sherwood Hu’s Prince of the Himalayas (2006), by focusing on their visual representations of spaces allotted to women. Its thesis is that even though on the original Shakespearean stage de...

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Autor principal: CHEANG WAI FONG
Formato: Artigo
Idioma:Inglês
Publicado em: Sciendo 2014-12-01
coleção:Gender Studies
Assuntos:
film adaptation
Hamlet
Shakespeare
space
women
Acesso em linha:http://www.degruyter.com/view/j/genst.2014.13.issue-1/genst-2015-0001/genst-2015-0001.xml?format=INT
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