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The Commodified Happiness: The Only Established Source of Meaning in Oscar Wilde’s The Happy Prince and The Nightingale and the Rose

Oscar Wilde’s fairy tales are not as well-recognised as his novel or his dramatic works. This paper circles around two of his tales, The Happy Prince and The Nightingale and the Rose. Through a postmodernist outlook, this study postulates the vigorous diatribe of Wilde against the consumer culture w...

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Autore principale: Poorghorban Younes
Natura: Artigo
Lingua:Inglês
Pubblicazione: Charles University 2022-07-01
Serie:Prague Journal of English Studies
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Accesso online:https://doi.org/10.2478/pjes-2022-0003
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