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Parsifal in the Margins. Wagner in the Interartistic and Intermedial Process of Vostell and Dalí’s el Fin del Parzival

In the late 1970s, Wolf Vostell set out to materialize Salvador Dalí’s scenic project, conceived in the 1920s for Richard Wagner’s opera Parsifal, which was intended to be staged in Paris. The outcome of this interartistic and intermedial dialogue, Fin del Parzival, is currently exhibited at the Wol...

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Autore principale: Julia Magdalena Piechocki-Serra
Natura: Artigo
Lingua:Alemão
Pubblicazione: Faculty of Modern Languages, University of Warsaw 2024-09-01
Serie:Acta Philologica
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Accesso online:http://acta.wn.uw.edu.pl/gicid/01.3001.0054.9160
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