Reception Heiner Müller’s drama “Cement” in Russia at the turn of the XX and XXI centuries
The literary fate of the German dramatist Heiner Müller is paradoxical. Despite his plays being part of the main repertoire in many of the world’s leading theaters, he faced prolonged censorship both in his homeland, the German Democratic Republic, and in Russia. However, interest in his works has g...
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Immanuel Kant Baltic Federal University
2025-01-01
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| Ráidu: | Слово.ру: балтийский акцент |
| Fáttát: | |
| Liŋkkat: | https://journals.kantiana.ru/slovo/15818/82956/ |
| Fáddágilkorat: |
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