L’Exposition universelle de 1900 et les apories d’une « école italienne »
If Paris World’s Fairs had been the theatre of disapprovals towards the Italian artistic scene, critics blaming his decadence or his perverted cosmopolitism, 1900 World’s Fair begin, with his “Italian Palace”, a renewal taking his roots in Italian schools’ territoriality. Despite the emergency of a...
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| Formato: | Artigo |
| Idioma: | Francês |
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UGA Éditions/Université Grenoble Alpes
2021-11-01
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| Series: | ILCEA |
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| Acceso en liña: | https://journals.openedition.org/ilcea/12518 |
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